Selangor Indigenous Art Festival Art 2015

Come join us in the first ever Selangor International Indigenous Art Festival in Selangor, Malaysia! See you there!

Orang Asli| Voices of Malaysia’s Aboriginal People Reaching Masses

Source from:  https://saadiahaq.wordpress.com/2015/07/03/orang-asli-voices-of-malaysias-aboriginal-people-reaching-masses/

Two Sides of Every Story@Shaq Koyok

The artist Shaq Koyok was born in Kampung Pulau Kempas in Banting, Selangor. He started painting with oil pastels at five years old, using his talent as a way to express his feelings about everything that happened around him, weaving a tapestry of sensitive human emotions and events in his life and most importantly the “rights of indigenous people in Malaysia.” 

As he turned 13, Koyok started drawing portraits and since then has worked with many mediums. Today, this young artist armed with an honors degree in fine arts from MARA, he has produced works reflecting his growing concern about the Orang Asli people in Malaysia. In his own words, Koyok says “My activism activities remain the most important to me. I shed light on issues affecting my community.” 

With growing developmental projects in Malaysia, vast amounts of the rain-forest that once covered Peninsular Malaysia have been cut or burnt down for commercial purposes. The risk to environment, land and indigenous people continues to grow as Malaysia partners with first world countries in the race to become more advanced and rich.

In this scenario, native tribes like Orang Asli are concerned about their coming future. They are listed into the world’s indigenous people, the term Orang Asli means “natural people” or “aboriginal people” in Malay, is a generic Malaysian term used for people indigenous to Peninsular Malaysia. Officially, there are 18 Orang Asli tribes and today they comprise only 0.5% of the total population in Malaysia with a total number approximately is somewhere around 148,000.

Malaysia track record, as well as international community support for assistance to Orang Asli has been historically unsatisfactory and needs to be criticized. An artist like Shaq Koyok is testament to the growing concerns of the remaining Orang Asli who sit precariously between Mother Nature and business, and whose voices are deliberately suppressed by those sitting in power. The artist’s love for nature and cultural preservation comes from his roots, and Mother Earth that is depicted in his artistic masterpieces.

Shaq also collaborates with North South Initiative, Malaysia run NGO by using its office space as a gallery which simultaneously gives visitors and collaborators a glimpse into Shaq’s creative world. 

Shaq Koyok despite living in an urbanized setting has a deep love for nature and cultural preservation coming from his roots, and is depicted in his talent to his raise awareness. More over he is disturbed by the plight faced by his people today — from the loss of land to the destruction of the surrounding, natural habitat.

He says, “Art allows me to express what I cannot put into words. Orang Asli communities face many problems with modernity; they’ve been slow to embrace it. I feel it’s my responsibility to spread the message, and tell their side of the story. I hope the world can see what’s happening, as there’s a story behind every painting.”

Confessions of Palm Oil@Shaq Koyok

The above painting called “In Confessions Of Palm Oil,” Shaq Koyok depicts how the planting of the crop has deprived the Orang Asli community of fertile soil for their agriculture. Shaq’s primary inspiration for his artwork is his own people – the Orang Asli and he fights through art to see the change he wants for indigenous peoples here.

In today’s world, the voices of the little known tribe Orang Asli and issues haven’t been given attention because the community is too small. But Shaq’s work is a strong voice for the change necessary for the preservation of one of the last remaining native people in the world.

Guest Speaker at UKM, 2013

Art and culture workshop in 1 week English Camp at Jahai primary School, Jeli, Kelantan

Village entrance

One of their favourite activities.

Showing off!

They love to do self portraits.

Cetong drummer

The adult Jahai teaching their younger the art of traditional weaving.

They just love hanging around in the school even the school time is finished.

The kids was really great in playing these "Cetong" drum (bamboo drum).

First impression on Cambodia

S21 ex-prisoner who survived because he is an artist and telling his sad story in his paintings and this is book about his amazing story of true survivor.

Sad but  truth of human ignorant on killing their own kind because difference mindset,  memorial monument at Killing field.

The Extermination Camp, Killing Field, Phnom Penh, Cambodia

In front of Independent Monument

First impression on Tuk Tuk, Phnom Penh, Cambodia

Another article from Star News paper! (Thanks Star news paper..)

Community

Published: Wednesday April 16, 2014 MYT 12:00:00 AM

Art with a primal message

BY JEREMY TAN

INDIGENOUS local artist Shaq Koyok hopes to shed light on issues affecting his community, and effect a positive change through the wonder of art.

The 29-year-old, born in the orang asli settlement of Kampung Pulau Kempas in Banting, Selangor, has a strong connection with his roots, and uses his talents to raise awareness.

Though he has lived in modern cities since the age of 13, he is disturbed by the plight faced by his people today — from the loss of land to the destruction of the surrounding, natural habitat.

“Art allows me to express what I cannot put into words. Orang asli communities face many problems with modernity; they’ve been slow to embrace it.

“I feel it’s my responsibility to spread the message, and tell their side of the story.

“I hope the world can see what’s happening, as there’s a story behind every painting,” said Koyok, whose immediate family still lives in the Temuan tribe settlement.

The affable artist, currently based in Seremban, Negri Sembilan, said this at the opening ceremony of his ongoing, self-titled solo art exhibition at the G Art Gallery in G Hotel, Penang, recently.

It features 32 pieces, done using acrylic and mixed media, in his signature, vibrant style. Each captures his concern about the world of the aboriginal people in Malaysia, through emotive expressions on the face of his subjects.

Among them, a monochrome piece, ‘Smells Like a Burnt Spirit’, stands out. It is a poignant commentary on the grave effects of deforestation and land clearing, through open burning.

“I picked up a piece of still smouldering charcoal, and later used it to do the sketch piece.

“It’s heart-wrenching for me, because these places were once lush and green. They were pristine and untouched by pollution. It used to be my playground,” he lamented.

Koyok started painting at the age of five using oil pastels, largely inspired by an older brother who is now a forest ranger.

He indulged his passion throughout boarding school, and graduated with a Fine Arts degree from University Teknologi Mara.

To date, he has exhibited his works in Britain, Australia, the United States and throughout Malaysia.

One with his head firmly planted on broad shoulders, he is also a speaker at many workshops and events, telling his story to anyone who would listen.

During the ceremony, guests were also asked to scribble on a blank canvas, any words that came to mind at the mention of ‘orang asli’. Koyok later put on a live demonstration, painting over the piece.

In his speech, G Hotel general manager Michael Hanratty said he was impressed by the artist’s spirit, and the strong message behind his works, when he first met him two years ago.

“Our gallery will continue to showcase the best of Malaysian artists, and give them a platform to shine,” he added.

The Shaq Koyok Contemporary Indigenous Artist exhibition continues until June 30, at the gallery located on the hotel’s Level 1 Link Bridge. It is available around the clock and admission is free.

Great article from Star news paper.

Published: Sunday May 4, 2014 MYT 12:00:00 AM
Updated: Sunday May 4, 2014 MYT 9:02:47 AM

Shaq Koyok: Fighting for roots and rights

by n. rama lohan

Jewel in the crown: Shaq Koyok’s forte is portraying emotions in his subjects, and Witness is a prime example of his keen eye for detail.

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Shaq Koyok fights through art to see the change he wants for indigenous peoples here.

IF the eyes are the window to the soul, then what’s apparent in the peepers of the young boy depicted in Witness is turmoil – an emotion fraught by the need to see what’s before him and at the same time, plagued by guilt for not being able to stop the unravelling crime.
The said portrait is the handiwork of young indigenous artist Shaq Koyok (real name Shahar Koyok), a painter with a keen eye for his surroundings, particularly the natural world. The 28-year-old’s artwork is also very much driven by his sense and passion for activism, having borne witness to illegal logging and indiscriminate burning of the forest.
But growing up in Kampung Pulau Kempas, Banting, Selangor, all Shaq cared about was articulating his thoughts, which seemed a struggle to verbalise.

Selangor-born Shaq Koyok’s Contemporary Indigenous Art Exhibition in Penang explores the issues facing the orang asli and consists mainly of works in acrylic.

“I used art to express myself when words failed me. It seemed to be the only way I could tell people what was on my mind,” said the masters student in Fine Arts, who is currently studying at UiTM, Shah Alam, Selangor, during a recent interview.
Artistic expression came easy to him, and after having his first taste of it at the age of five in school, Shaq was soon taking part in competitions, encouraged by his teachers.
By the time he reached 15, he was representing his school SMK Teluk Datok in Banting, with a significant moment arriving with his participation in a poster art competition, where his slogan of choice was “Jimatkan Air” (Save Water), a theme just as relevant today as it was then.
But poster art and landscape paintings made way for a growing fascination with portraits, an interest sparked by an older brother. “My brother encouraged me to give it a shot, and I was soon doing portraits of classmates, and eventually, even my headmistress got in on the act,” he said with a laugh.

Shaq Koyok’s humorous take on the contrast between the traditional orang asli and contemporary culture is seen in his work, Waz Dat.

It’s Shaq’s ability to capture emotion that truly sets him apart from the rest of the pack, like in Witness. He points out that etching life-like emotions on his subject’s faces isn’t easy at all. “I outline the basic figure and then insert my own emotion and soul, like I did for Witness, which was from how I was traumatised seeing the jungles being burnt and logged. The expressions you see are from my own emotions.”
He lives in the modern dwelling of the city now, even if he is only based in Seremban, Negeri Sembilan, but it’s his heritage as a member of the orang asli Temuan community which gives him an insight on what happens in the jungles, miles away from prying eyes.
Growing up with the Temuan community taught him to understand his roots, and how man and the natural world can live as one, without sacrificing Mother Nature’s grand work. “The Temuan people live between the coast and the jungle ... we basically live around the mangrove swamps. So, my love for nature and culture comes from here,” he said of his indigenous people, who originate from Selangor, Malacca and Negeri Sembilan.
Shaq’s primary inspiration for his artwork is his people. “I really want to raise awareness on the struggles of the orang asli – most people seem to know too little about us. Hopefully, my art will inspire people to write more about my community,” shared the amiable artist.

Shaq Koyok is proud of his heritage as part of the orang asli Temuan community. These Are My People, Do You See Us Now represents that in resplendent glory.

He opines that orang asli issues haven’t been given attention because the community is too small, thus ridding it of a strong voice for change. Politics should be held accountable, he reckons, but he’s optimistic that progress will come, given what he’s seen happening around the world.
He might hail from a small community in Malaysia, but Shaq’s travels have given him a more global perspective. His artwork has been exhibited in Sydney, Australia; London, England and Miami, the United States. And unsurprisingly, given the nature of his unique work, his paintings have been branded a breath of fresh air by the art communities there. “They like it because it’s not something they’ve seen very often and they feel it’s very expressive,” said the son of a farmer and homemaker mom.
Naturally, the artwork of Australia’s aborigines draws some similarities, but that comparison is more in the subject matter than in style. “The aborigines create very thought-provoking artwork ... their history is way harsher than that of the Temuan’s,” said Shaq, who has his solo show – Shaq Koyok: Contemporary Indigenous Art Exhibition – on now in Penang. Shaq is inspired by how Australia’s natives have succeeded in affecting a change through their art and looks to take a leaf from that page for his own work.
When it comes to references he’s grown up with though, he looks to a legend who lived on his own terms. “(Vincent) Van Gogh did everything that was true to his beliefs ... he just painted what he wanted and created modern art in the process.”

In Confessions Of Palm Oil, Shaq Koyok depicts how the planting of the crop has deprived the orang asli community of fertile soil for agriculture.

Shaq has recently also taken his art away from the canvas and easel, and put it into children’s books. A phobia which afflicted him as a six-year-old is now chronicled in Tujal and the Wind. “I used to be afraid of the wind when I was a kid, and I remember running to my grandfather’s house for shelter whenever the wind would rustle through the trees and howl,” he said almost sheepishly, recalling his childhood. The book, written by his author friend Stephen-John Curtis, features Shaq’s illustrations.
“Obviously children love comics, like I always have. So, the friendly images I’ve created to tell the story will hopefully let kids know what it’s like to be part of the orang asli community.”
Shaq clearly sees that children are our future. He knows if they are taught well, they can one day lead the way, which is why he has engaged a cultural school holidays programme for orang asli kids. “We run the programme in the villages, where we use art to teach English, sports and culture. There’s basket weaving, hunting, cooking, music and dance. For the moment, it’s only for the orang asli kids, but we’d like to reach out to all kids some day in the future.”
He knows too well the need for preservation of the arts and culture. And if the holiday programme is only a small scale act of conservation, Shaq rests assured that he tells his bigger stories through his breathtaking artwork.

Shaq Koyok’s Contemporary Indigenous Art Exhibition is on at G Art Gallery, Level 1 (Link Bridge), G Hotel, Persiaran Gurney, George Town in Penang till June 30. Admission is free. More info: www.shaqkoyok.blogspot.com.